May 17, 2008

Derek Sivers of CD Baby - Audio Interview

Bob Baker just released an audio interview with Derek Sivers of CD Baby, which he did to promote Bob's Indie Buzz Bootcamp.  You can listen/download below.

Going to events like this is really important, not only because of what you'll learn, but also because you'll meet other musicians who are on your level.  It's a great place to swap information and connect with other people who are working as hard as you are.

I know both Bob and Derek personally and met each of them at music conferences.  And you can meet them both at one time, if you attend Indie Buzz Bootcamp.

By the way, if you haven't already downloaded my new audio book on networking, you can get it free by typing your name and email address in the righthand column.  It has some great tips for making connections with people while at events like this.

I'll have more information on Indie Buzz Bootcamp coming shortly.  Until then, enjoy this interview with Derek Sivers of CD Baby...


Derek Sivers Interview (MP3 file, 20 megs) (Right click and hit "Save As..." to download.)

May 16, 2008

Who is David Hooper?

If you're wondering who is behind this blog...

Like my thoughts on the music business and how to sell more music?  Make sure you subscribe to the feed and get on my mailing list.

May 15, 2008

Talk to Derek Sivers of CD Baby - Tonight at 9PM Eastern

CD Baby founder and president Derek Sivers will be on a one-hour conference call with guerrilla music marketing expert Bob Baker tonight, starting at 9 PM Eastern

There's no charge to access this call. This is one of a series Bob is doing to promote his Indie Buzz Bootcamp event, which will happen June 20-22 in St. Louis.

Here are the call-in details:

Date: Thursday, May 15
Time: 9PM Eastern (GMT -5)

Dial-in number: 218-339-7800 (a Minnesota number)
Access code: (enter this number when prompted) 81896

The call will last about an hour or so.

May 12, 2008

Top 10 Ways to Get More People to Your Next Gig

For an up-and-coming band every gig is a vital step toward your success.  Your shows are where you get the chance to prove yourself.  They are your opportunity to do what you do best.  A good gig can also have a ripple effect, securing you a loyal fan base and ensuring good crowds at future shows.  So when you land a gig, the key is to make it count.  Hours of practice and rehearsal won’t matter unless you have a decent crowd that can go back and tell their friends how great you are.  Your mission is not only to kick ass on stage—but to convince other people to come and see you.  Sure, it would be nice to be able to just focus on your music and let someone else handle the promotions, but few unsigned bands have those kinds of resources.  It’s up to you to get people in the door.

With that in mind, I’ve put together a list of ways you can make sure you have a full house at your next gig.    

1. Start early.   

Don’t wait until a week before your gig to start advertising.  As soon as you have a booking, sit down with the band and come up with a strategy for marketing the show to the public.  Remember, you’re competing with about a million other things someone can choose to do on a Saturday night—movies, other bands’ shows, parties, sporting events.  You want to get yourself on the calendar as soon as humanly possible, and give yourself plenty of time to remind people a few times before the show date.   

2. Posters, flyers, and cards. 

You have to have them.  There’s no excuse these days not to have cards, flyers, and posters. With the online digital printing websites you can upload your own art, or use their existing art to create marketing materials that are professional and eye-catching.   Remember, you’re competing with professional bands which have marketing departments and public relations people, so put some thought into it. 

One way you can get some great art done for little money is checking out high school and junior college art departments.  Some of these young artists would love the chance to do your design work and earn a little cash—and they’ll charge you a mere fraction of the amount that a professional graphic designer would.

However, even if you can only go the old-fashioned route of hand-drawing a flyer and photocopying it on eye-catching colored paper, do it. 

Make sure everyone in the band has stacks and that they’re giving them out, hanging them up, and making them available.  Leave them at the record store hang them on community bulletin boards at schools, coffee shops, bookstores and libraries. 

3. Get your family and friends involved.

These people can be your best allies as you start your career.  People that love you are your cheerleaders.  They are going to promote the hell out of your band even if they aren’t particularly interested in your style of music.  Maybe grandma won’t come to a show, but she knows a lot of people and can help spread the word.  She’s just the type of person who would relentlessly hand out your flyers to everyone and anyone, just because she loves you.  Take a stack of flyers to each of your friends and family, tell them how important it is for you to get people to your show, and ask them to spread the word.  Unless they still haven’t forgiven you for breaking their favorite crystal vase when you were eight-years-old, chances are they’ll be happy to be part of your success.

4. Use Myspace, Facebook, and other online social networking tools.

Technology is one of the most powerful tools you have.  If you are one of the last five people on earth without a MySpace or Facebook account, get one NOW.  Make sure you regularly update the pages with news and show dates, upload MP3’s or videos of your songs, and respond when people leave you a message.  Look for bands on MySpace with a similar style to yours and go through their “friends” lists—and invite those people to be your friends.  You can generate so much interest in your band with regular “farming” of these sites, even people who live in other cities and states can become fans and your impact can quickly go from being local to you having a national presence.

5. Create a press release.

This sounds more complicated than it is.  Not just big names can create and circulate a press release.  Basically, it is a formal description of something current—like a show or a new CD release—that you can give to different media outlets.  Sending a press release doesn’t ensure that you will get publicity, but it will definitely get you noticed and the media folks in your town are going to pay attention to your professionalism.  Send your press release to entertainment papers; corporate, public, and college radio stations; bloggers and online communities that feature local events.

Check out this site for a description of how to write a professional press release:  http://www.publicityinsider.com/release.asp

6. Tell everyone you know—and don’t know. 

This is not the time to be shy.  If you can get up in front of a crowd and pour your blood, sweat, and tears into your performance, you can strike up a conversation when you’re out getting coffee and tell people about your show.  Think of yourself as a really cool Jehovah’s Witness.  Have flyers in your pocket and be ready to hand them out any time any place.  A personal connection with someone, even for a couple minutes, is more compelling than a thousand flyers stuck to the side of a building.

7. Go to other shows and network.

Get out there and see other shows.  Hang out before and after and talk to people about your music.  The people you meet at a show are people you know are interested in seeing live performances.  Again, making a single personal connection is one of the most effective ways you can generate interest in your music.  You can be cool and still be friendly.  This is not the time to be stand-offish.  In the beginning you can’t just rely on your music to attract people, because in the beginning, no one has heard your music. They’re going to come to see you.

8. Offer to play a couple songs unplugged at an event to warm up the crowd.

In every city there are about a thousand things going on any given weekend.  There are plenty of opportunities to warm up the crowd at a charity, a school play, an art show, or any other number of events.  You don’t need to drag all the equipment out.  Go and play a couple songs acoustic.  Give away a couple CDs in a raffle at the event.  Ask if you can leave some flyers on the registration table so that when people come in they can grab one with their name tag or program.  There are endless possibilities for getting yourself in front of people and giving them a little taste of your music—plus, you might just get to support a worthwhile organization or event. 

9. Advertise a giveaway at the show.

People love free stuff.  It’s just a fact of life.  It doesn’t even have to be good free stuff, but if you advertise that you are giving something away, there is a much higher likelihood that more people will show up.  Give away a couple discs, a couple t-shirts.  If you have the cash, give away an iPod Shuffle ($49) or some gift certificates.  It is a small investment that will pay off in spades.  Make sure you let everyone know—on flyers, on MySpace, and by word of mouth—what you’re giving away and when. 

10. Open for an established band a couple weeks before the gig.

Be a part of your indie community.  Make friends and allies with other bands.  If you can open for another band a couple weeks before your gig, you are going to give people a chance to see you in action.  You’ll have a ready-made audience you can pitch your upcoming show to.  Hang out after your performance and work the room while you enjoy the main show and support your friends.

There are so many creative ways to promote your show, and these are just a few suggestions to get you going.  Remember, if you don’t promote yourself, no one else is going to.  Be fearless and let the world know who you are and where your next show is going to be!

Like this list?  A new one is published every few days.  Make sure you subscribe to the feed to get more.

Have a comment?  Please post it here.

May 04, 2008

ATTN: Musicians - I Want to Talk to You!

Setting up a new section of the site called "Music Marketing Hotseat" where I'll be talking to bands, musicians, and songwriters about their music businesses.

I'm going to get on the phone and talk with these people, one-on one.  And I'm going to do it for free.

This is for people who are looking to:

  • Sell More Music
  • Get More People to Shows
  • Make More Money

If this is you, you'll want to get on my list.  Not only will you get the opportunity to talk with me and have me review your marketing materials and general business structure, you'll also get to be a fly on the wall as I help other people with their music businesses.

Get on my list and I'll get you the complete info via email.

May 02, 2008

District Court Rules Yahoo, AOL Pay Millions To Songwriters

A US District Court has ruled AOL, RealNetworks, and Yahoo should pay license fees that could amount to as much as $100 million to ASCAP and its membership for songs which they streamed to users from 2002 until now.  The ruling also includes payment for use until 2009.

Sounds good on paper.  The little guy wins, right?

Look, I think songwriters deserve to be paid.  I live in Nashville and own a publishing company!  But since the rate will likely be more than what is paid by traditional broadcast radio stations, my opinion is that it will make it more difficult for anyone to play music online in the future, which will mean nobody gets paid.

So how is this good for the music business?

May 01, 2008

David Hooper Revisited

Yesterday, I posted an interview I did in 2002.

It's always interesting to revisit stuff like this. It's kind of like taking a look at an old photo or talking to somebody you used to date.  Sometimes hard to believe and sometimes scary or frustrating, but always a good lesson in how far you've come.

Heard a quote the other day, which is worth mentioning here...

"If you hold on to the way you used to be, you can't become the best you."

Worth writing down, I think.

Holding on to anything kills its energy.  For example, as a musician, you can keep your creations close, never letting anybody hear them.  And if you wanted to go really far with the concept, you wouldn't even have to record them, write them down, or even let them outside of your own head. 

Musicians often do this.  They don't want anything which will hurt their songs.  But, strangely enough, this will kill a song before it ever really takes shape.

You can take control like this, but 100% of nothing is nothing.

Or, you could write your song on paper, record it, get opinions on it, bring in a co-writer, bring in a producer, and let the song have a life of its own, away from your ego.  And even if you only had 25% in the creation of it, that 25% could still be a lot larger than 100% of a song which never even made it on paper.

The same concept works for you as a person.  It's stupid to think we know everything there is to know about promotion, marketing, songwriting, performing, or anything.  And it's stupid to hold on to old ideas simply because we don't want to be wrong.  Just because something worked for you once, doesn't mean that it's working for you now.  Why hold on to it?

So bring in other people, review other ideas, be open to new things, and be wrong about things.  Rewrite (or throw away) old songs, fire band members, and bring in new blood.  That's the only way to really grow your business and grow yourself as a person.

April 30, 2008

Interview with David Hooper (2002)

Just found this  interview I did with Nashville City Paper's "City Confidential" series on October 1, 2002.  As somebody who is often on the "asking" side of interviews, I thought it was interesting.  Definitely gave me some good ideas for questions to use on Music Business Radio.

The reason I'm posting it here is because I think it's good for all people, regardless of profession, to evaluate where they are, where they've been, and the plan for where they're going.  And since I do that myself, I'll be posting something tomorrow with my current thoughts on these questions and the interview in general.

But for now, the old interview...

David Hooper

Master marketer reveals the man behind the Web site, music, book David Hooper has made a living for himself helping musicians find an audience. At 29, he�s already a marketing wizard and knows the ins and outs of the tumultuous music business from the perspective of an artist as well as savvy scene hound. After being involved with a band that was well promoted but lacking musically, he has since written a book on how to make money as an independent musician titled How I Make $100,000/year in the Music Business (Without a Record Label, Manager, or Booking Agent) and is the point person for the second annual Nashville New Music Conference (2NMC) to be held in October.

INSIDE INFO

What dreams have you had to let go of or put on the back burner?

I don't know that there are any. People change and so do goals. I have a lot of stuff on the back burner now because I think of new projects almost constantly, and there simply aren't enough hours in the day to get them all done right away. I have a lot of patience though.

What CDs are currently in your player?

Best of Con Funk Shun Volume 2, Gap Band IV, Dag Nasty's Four on the Floor, a CD-R I burned of white label dance mixes from Gnutella, and an audio book about marketing called Unleashing the Idea Virus.

If you could invite three celebrities for a slumber party, who would they be?

I've met a ton of celebrities, and most of them are pretty shallow and I get bored really easily. So I'd have to get some that I know could entertain me for the night and wouldn't be airheads. I'd love to have Jesus over and also Paul and Jan Crouch from TBN. Jesus and I could then start asking the hard questions like how is it that she is able to cry on command and who paid for their $5 million home.

Finish this sentence, "I'd rather be drug through cactus naked than ___."

Punch a clock.

If you could have a talent you don't already have, what would it be?

Can't think of anything. I got this goal planner about a year ago and started filling it out, but I only got about three pages in and realized that there really isn't anything that I'm in need of.

What should the title of your autobiography be?

When it comes to books, I always think in terms of Amazon.com and what people will be searching for. My first book was called How I Make $100,000/year in the Music Business (Without a Record Label, Manager, or Booking Agent) because I wanted to get as many search words in the title as I could in order to grab people who were looking for something like "music business" but had never heard of my book. So, I'd have to come up with a title that used a lot of really popular words in order to get the most people to at least be aware I existed. It would be something like 10 Stupid Things 7 Highly Effective Rich Dads Do While Making Chicken Soup for the Poor Dad's Soul.

How do you reconnect with your soul?

Lots of yoga and meditation.

What is the strangest thing you eat?

Wild Oats has these really good, vegetarian Rocky Mountain oysters. They use couscous and soy protein instead of testicles. It's really good with a little hot sauce.

How do you want the world to remember you?

This isn't something I'm worried about. I'll be dead.

Who should play the part of you in a movie?

I'm a behind-the-scenes guy, so it would have to be one of those documentary type films where you hear the guy, but never see his face. Any voiceover guy could handle the part, I'm sure.

What do you worry about?

Nothing.

I've learned that I'm not in control over much and it's all inevitable.

What is your greatest success?

I wake up every morning and I can't believe people pay me to do what I do.

April 28, 2008

Thoughts on "Bill of Rights" for Songwriters...

Yesterday, I posted the "Bill of Rights" for Songwriters, which ASCAP put together.

My thoughts on it...

First of all, I agree with the basic thought behind this document.  Writers and those who own copyright on songs definitely deserve these things.  But it should be noted that they already have these things...  We're not covering any new ground here.

My opinion is that documents like this only add to the "us vs. them" craziness of the current music business.  People who own songs and sound recordings, against those who consume them.

Stupid.  Each needs the other.

Stuff like this only gets panties in a wad.  Songwriters and publishers start thinking the sky is falling while consumers start thinking that songwriters are being greedy.

Neither is happening.

There are plenty of solutions to the current state of the music business and isolating consumers isn't one of them.  We should be educating consumers about how the music business works and that they can keep it working by consuming music in certain ways. 

Most people are "sharing" music, not stealing it.  The bottom line might be the same...for now, but it's my belief that people who "share" want to support music...which is why they're passing it along in the first place.

This "Bill of Rights" stuff may be good for getting new members in ASCAP and keeping their numbers up, but in the long run, it's not doing anything to help the real issue and just adds to the "victim mindset" that so many artists, musicians, and songwriters already have.

Don't buy into the "sky is falling" thoughts that a lot of people seem to have right now.  The sky is not falling.  There are more opportunities for musicians, especially independent musicians, than ever before.  And as technology advances, both in how music is used and how that use is tracked, there will be many more opportunities to come.

Feel free to leave any thoughts below...

April 25, 2008

A Bill of Rights for Songwriters and Composers

Here's a "Bill of Rights" for songwriters, which ASCAP has created.  If you like it, you can add your name to the list.

Just as citizens of a nation must be educated about their rights to ensure that they are protected and upheld, so too must those who compose words and music know the rights that support their own acts of creation. Without these rights, which directly emanate from the U.S. Constitution, many who dream of focusing their talents and energies on music creation would be economically unable to do so - an outcome that would diminish artistic expression today and for future generations.

At this time, when so many forces are seeking to diminish copyright protections and devalue artistic expression, this Bill of Rights for Songwriters and Composers looks to clarify the entitlements that every music creator enjoys.

  1. We have the right to be compensated for the use of our creative works, and share in the revenues that they generate.

  2. We have the right to license our works and control the ways in which they are used.

  3. We have the right to withhold permission for uses of our works on artistic, economic or philosophical grounds.

  4. We have the right to protect our creative works to the fullest extent of the law from all forms of piracy, theft and unauthorized use, which deprive us of our right to earn a living based on our creativity.

  5. We have the right to choose when and where our creative works may be used for free.

  6. We have the right to develop, document and distribute our works through new media channels - while retaining the right to a share in all associated profits.

  7. We have the right to choose the organizations we want to represent us and to join our voices together to protect our rights and negotiate for the value of our music.

  8. We have the right to earn compensation from all types of "performances," including direct, live renditions as well as indirect recordings, broadcasts, digital streams and more.

  9. We have the right to decline participation in business models that require us to relinquish all or part of our creative rights - or which do not respect our right to be compensated for our work.

  10. We have the right to advocate for strong laws protecting our creative works, and demand that our government vigorously uphold and protect our rights.

More thoughts on this tomorrow.  Until then, feel free to leave any comments below...

 

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