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April 2008

April 30, 2008

Interview with David Hooper (2002)

Just found this  interview I did with Nashville City Paper's "City Confidential" series on October 1, 2002.  As somebody who is often on the "asking" side of interviews, I thought it was interesting.  Definitely gave me some good ideas for questions to use on Music Business Radio.

The reason I'm posting it here is because I think it's good for all people, regardless of profession, to evaluate where they are, where they've been, and the plan for where they're going.  And since I do that myself, I'll be posting something tomorrow with my current thoughts on these questions and the interview in general.

But for now, the old interview...

David Hooper

Master marketer reveals the man behind the Web site, music, book David Hooper has made a living for himself helping musicians find an audience. At 29, he�s already a marketing wizard and knows the ins and outs of the tumultuous music business from the perspective of an artist as well as savvy scene hound. After being involved with a band that was well promoted but lacking musically, he has since written a book on how to make money as an independent musician titled How I Make $100,000/year in the Music Business (Without a Record Label, Manager, or Booking Agent) and is the point person for the second annual Nashville New Music Conference (2NMC) to be held in October.

INSIDE INFO

What dreams have you had to let go of or put on the back burner?

I don't know that there are any. People change and so do goals. I have a lot of stuff on the back burner now because I think of new projects almost constantly, and there simply aren't enough hours in the day to get them all done right away. I have a lot of patience though.

What CDs are currently in your player?

Best of Con Funk Shun Volume 2, Gap Band IV, Dag Nasty's Four on the Floor, a CD-R I burned of white label dance mixes from Gnutella, and an audio book about marketing called Unleashing the Idea Virus.

If you could invite three celebrities for a slumber party, who would they be?

I've met a ton of celebrities, and most of them are pretty shallow and I get bored really easily. So I'd have to get some that I know could entertain me for the night and wouldn't be airheads. I'd love to have Jesus over and also Paul and Jan Crouch from TBN. Jesus and I could then start asking the hard questions like how is it that she is able to cry on command and who paid for their $5 million home.

Finish this sentence, "I'd rather be drug through cactus naked than ___."

Punch a clock.

If you could have a talent you don't already have, what would it be?

Can't think of anything. I got this goal planner about a year ago and started filling it out, but I only got about three pages in and realized that there really isn't anything that I'm in need of.

What should the title of your autobiography be?

When it comes to books, I always think in terms of Amazon.com and what people will be searching for. My first book was called How I Make $100,000/year in the Music Business (Without a Record Label, Manager, or Booking Agent) because I wanted to get as many search words in the title as I could in order to grab people who were looking for something like "music business" but had never heard of my book. So, I'd have to come up with a title that used a lot of really popular words in order to get the most people to at least be aware I existed. It would be something like 10 Stupid Things 7 Highly Effective Rich Dads Do While Making Chicken Soup for the Poor Dad's Soul.

How do you reconnect with your soul?

Lots of yoga and meditation.

What is the strangest thing you eat?

Wild Oats has these really good, vegetarian Rocky Mountain oysters. They use couscous and soy protein instead of testicles. It's really good with a little hot sauce.

How do you want the world to remember you?

This isn't something I'm worried about. I'll be dead.

Who should play the part of you in a movie?

I'm a behind-the-scenes guy, so it would have to be one of those documentary type films where you hear the guy, but never see his face. Any voiceover guy could handle the part, I'm sure.

What do you worry about?

Nothing.

I've learned that I'm not in control over much and it's all inevitable.

What is your greatest success?

I wake up every morning and I can't believe people pay me to do what I do.

April 28, 2008

Thoughts on "Bill of Rights" for Songwriters...

Yesterday, I posted the "Bill of Rights" for Songwriters, which ASCAP put together.

My thoughts on it...

First of all, I agree with the basic thought behind this document.  Writers and those who own copyright on songs definitely deserve these things.  But it should be noted that they already have these things...  We're not covering any new ground here.

My opinion is that documents like this only add to the "us vs. them" craziness of the current music business.  People who own songs and sound recordings, against those who consume them.

Stupid.  Each needs the other.

Stuff like this only gets panties in a wad.  Songwriters and publishers start thinking the sky is falling while consumers start thinking that songwriters are being greedy.

Neither is happening.

There are plenty of solutions to the current state of the music business and isolating consumers isn't one of them.  We should be educating consumers about how the music business works and that they can keep it working by consuming music in certain ways. 

Most people are "sharing" music, not stealing it.  The bottom line might be the same...for now, but it's my belief that people who "share" want to support music...which is why they're passing it along in the first place.

This "Bill of Rights" stuff may be good for getting new members in ASCAP and keeping their numbers up, but in the long run, it's not doing anything to help the real issue and just adds to the "victim mindset" that so many artists, musicians, and songwriters already have.

Don't buy into the "sky is falling" thoughts that a lot of people seem to have right now.  The sky is not falling.  There are more opportunities for musicians, especially independent musicians, than ever before.  And as technology advances, both in how music is used and how that use is tracked, there will be many more opportunities to come.

Feel free to leave any thoughts below...

April 25, 2008

A Bill of Rights for Songwriters and Composers

Here's a "Bill of Rights" for songwriters, which ASCAP has created.  If you like it, you can add your name to the list.

Just as citizens of a nation must be educated about their rights to ensure that they are protected and upheld, so too must those who compose words and music know the rights that support their own acts of creation. Without these rights, which directly emanate from the U.S. Constitution, many who dream of focusing their talents and energies on music creation would be economically unable to do so - an outcome that would diminish artistic expression today and for future generations.

At this time, when so many forces are seeking to diminish copyright protections and devalue artistic expression, this Bill of Rights for Songwriters and Composers looks to clarify the entitlements that every music creator enjoys.

  1. We have the right to be compensated for the use of our creative works, and share in the revenues that they generate.

  2. We have the right to license our works and control the ways in which they are used.

  3. We have the right to withhold permission for uses of our works on artistic, economic or philosophical grounds.

  4. We have the right to protect our creative works to the fullest extent of the law from all forms of piracy, theft and unauthorized use, which deprive us of our right to earn a living based on our creativity.

  5. We have the right to choose when and where our creative works may be used for free.

  6. We have the right to develop, document and distribute our works through new media channels - while retaining the right to a share in all associated profits.

  7. We have the right to choose the organizations we want to represent us and to join our voices together to protect our rights and negotiate for the value of our music.

  8. We have the right to earn compensation from all types of "performances," including direct, live renditions as well as indirect recordings, broadcasts, digital streams and more.

  9. We have the right to decline participation in business models that require us to relinquish all or part of our creative rights - or which do not respect our right to be compensated for our work.

  10. We have the right to advocate for strong laws protecting our creative works, and demand that our government vigorously uphold and protect our rights.

More thoughts on this tomorrow.  Until then, feel free to leave any comments below...

 

April 24, 2008

Need Money for Your New Album?

Just saw this one come through as a comment to an earlier post...

i have a radio promotion  company   wit distribution  thats willing to give my company  75 percent of the retail price and take my single and promote it to the national chart radio stations i just need somebody to invest into my company

Not exactly sure if he's talking about radio promotion company that is going to charge him 75% of the normal cost of promotion or, considering he mentions distribution, if there is some other kind of deal, where he's able to keep 75% of the retail price of albums sold.  Either way, my point is this...

You can't really expect somebody to invest money in your business if you're not willing to invest your own money (or at least time and sweat equity) first.

Now, it's quite possible that this guy has put a ton of his own money into his music business, but the comment above, which I've posted in its entirety, doesn't let people know that.  And even if he hasn't invested money, I'd still like to see something which says he's invested time and effort...and let's me know I'll get something in return for my investment.

A better pitch...

David-- I've got a band which plays music similar to New Order and Joy Division.  We've pressed 3000 CDs and sold about 2500 of them, mostly via live gigs.  Right now, we're doing about 6 shows per month and we work 10 different markets, with a plan to increase to 15 markets via gig swaps and college radio promotion.  Looking for somebody who would like to invest in our band with a loan of $5000, which would enable us to finish our current recording project, which is in progress, and step up live gig promotions.  This person would own a percentage of master recordings for our new album and, depending on the agreement, we could pay back the loan as early as 18 months.

Just a rough idea of something, which is more specific.  And this is all it would take for you to get the money you need from friends, relatives, or others you already know.  No reason to go with somebody who is already in the music business, although it may make it easier for you to sell the idea.

I'm not looking to invest money in bands specifically, but I'm always looking to invest money in something where I'll get a return on my investment.  Most people are.  Find them and go for it.

With that said, it will probably be better for you to just get a straight loan.  No reason to worry about handing over a percentage of your copyright.

Use what I said above and take a look at this service...

Business & Personal Loans. Great Rates. Prosper.

April 23, 2008

Send Me Your Networking Questions!

Just did a great episode of Music Business Radio with a couple of guys who have been in the music business for 30+ years and one of the things we talked about was the importance of relationships in the music business and it got me thinking...

This business is changing daily.  We don't know where things will be in a few years.  However, we do know that "connections" and knowing people within the industry will be as important in years to come as it is now.

I want to help you keep in the game and make better music industry connections.  To do this, I'll be hosting a free teleconference and personally answering your questions on the subject.

In addition to talking about industry relationships, I'll also be talking about how you can build and maintain strong relationships with fans and customers.

Let me know what you want to know about meeting more people, building relationships, and networking.  You can submit your most pressing questions to me below. 

Submit your question about networking and making music industry connections.

I'll go through the questions, set up a time, and we'll do the call. 

Want to be updated on this call and others like it?  Make sure you subscribe to the feed to keep up-to-date.

April 21, 2008

Twitter and Your Music Business

Last month, I posted a review of Twitter, a social networking application that lets people "follow" you on daily activities via RSS feed, mobile phone text messages, instant messenger, or web.

For an example of how it works, check out my page. And if you want, feel free to "follow" me.

General thoughts...

This thing, like MySpace or Facebook, is easy to get caught up in...but it's not "work."  And for the most part, it's not really going to move your music career forward to send people Twitter messages about everything you do during the day.  In fact, if you send people too many messages, they'll start to ignore you.

But...it's a great way to let fans and others know about upcoming gigs, new songs for download, and other "important" things that your band is doing.  And by "important," I mean things that will make you money.

So take a look, check out my page, and see if it works for you.  If I notice that you're using it effectively, I may even feature you here at MusicMarketing.com. :)

April 18, 2008

Big Budget Porn (and Judas Priest)

I've said it for years and here's yet another example that I'm right...

If you want to see trends in the online and entertainment industries, from both marketing to product creation, watch what the adult industry is doing.

For example, the current edition of AVN (Adult Video News) has a cover story on how big budget adult features are making a comeback.

Why?  Because in a crowded marketplace, you have to do what you can to set yourself apart from everybody else.  And any idiot with a video camera can record people having sex...but only the big boys, who have lots of money, years of project management experience, and superior marketing power, can successfully create and market something huge.

We're going to see the same from music companies also.  For example, the new Judas Priest album is a 2-CD (or 3-LP) concept album about the life of 16th century prophet, Nostradamus.

And the album is just the beginning... Expect to see a huge live show, a video release with "making of" footage, and lots of other products and services which will make this an "event" that will set the band apart from similar sounding acts.

April 17, 2008

Is Your Music a Business or a Hobby?

Had an interesting comment come through as a response to this thread about CD Baby...

"I have to correct you on one thing about your post here... Mp3.com is not dead at all. It is still very much an alive free music download network and my band, Keygen, has around 12 songs listed there for free download. I can't speak for CD Baby cause we've never used their distribution service, though the reason would be cause they ask for money up front and for folks to send in disks that they can get charged for if they don't sell. These days there actually are plenty more distribution sites out there offering a lot more to artists for free. I know because I've got music for sale at two of those places right now and it hasn't cost us a cent to do so. Only one of those distributors asks for a percentage of our sales. The other is doing it for the love of musicia ns. Regardless of which distributor is a favourite or a good place to market your music, nothing beats the online presence of your own website, and for nearly $100 per year, we hope it's worth it."

My response...

1. mp3.com may take you to a website, but it's not the same company that it was in the mid-1990s, which is the best known version of the site.  Journey is still around too, but they don't have Steve Perry singing.  So is it really Journey?

2. Hell yes CD Baby asks for money up front.  This is a business and they treat it as such.  There are expenses involved with encoding an album, scanning a cover, setting up a web site, and storing CDs...which they incur even if your CD doesn't sell. 

Just because somebody charges musicians to provide a service doesn't mean that they don't love music.  You play music and charge for your gigs and CDs, right?  Don't you love music?

CD Baby is the #1 site for independent music online.  It costs $35 to get set up with them.  If you can't see the value there, it makes me question whether you're really serious about doing this as a business.

And on a related note... If you're not going to invest in your music career, how can you expect somebody else to?

3. Agree with you on having your own website.  You can get a domain for under $10/year and, if nothing else, point it to a hosted Wordpress blog for another $10.

April 16, 2008

How the Beatles Did Things...

Just released an interview I did for Music Business Radio with Ken Mansfield, the former US Manager for Apple Records as well as the US/UK liaison for the Beatles. 

Ken has worked with a number of top artists including Stan Kenton, Peggy Lee, Judy Garland, Lou Rawls, Glen Campbell, Buck Owens, the Beach Boys, and the Band.  As a producer, he has done work for Don Ho, David Cassidy, Waylon Jennings, Andy Williams, and many more.

We have great interviews with music industry professionals each week, but I think this one is especially good, since it gives some behind-the-scenes info on how the Beatles ran their business and how they thought about the business aspects of the music industry.

Listen below...

Like what you hear? Subscribe to our free podcast for more interviews with music industry professionals.

April 15, 2008

10 Mistakes Bands and Musicians Make

If you want to get a record deal, get people to your shows, or sell music like crazy, the answer isn't some kind of "magic pill" website that you post your music on, blindly sending out a bunch of demos, or anything to do with having good music...although good music certainly helps -- the answer is to develop a "mindset" that naturally attracts people to what you're doing as well as an understanding of how the music business game is played.

As you develop as a person, your music career will develop with you.  Sounds crazy, but it's true...and I've seen it time and time again, with thousands of acts that I've worked with, from garage bands, to the guys selling out arenas.  Check out these ten common music business mistakes:

10. Being Too Difficult (or Too Nice)

First of all, let’s get this clear...  Just because you wrote a few good songs and recorded them, doesn’t mean that the world revolves around you.  Lots of people write and record good songs, so get in line.

Contrary to what the online rumor mill or media would have you believe, people in the music business are involved because they love music…and they’re not making enough to deal with jerks.  And they won’t deal with jerks.  If you’re a pain, they’re just go to the next guy, who also writes good songs, but has a better attitude.

With that said, don’t be too nice.  You don’t have to say yes to everything.  Pick your battles.  If there is something you really feel strongly about, don’t settle for anything less.

Bottom line: Keep your ego in check and behave with courtesy and respect. At the same time, don't let anyone treat you any less.

9. Trying to Convince People of Anything…

You play music; you’re not in the convincing business.  Either people get what you’re doing or they don’t. 

So, some reviewer, booking agent or manager doesn't like your new album. Let it go! Don't try to convince him he'll like is better after a second listen. He won't. And the more you press him to give your music another shot, the more he’ll remember how annoying you were.  This means he’ll be far less open to ever listening to you again.

There are a lot of people who won't "hear it" when you approach them. So what? Move on.  There are plenty of other people in this business who can help you. Go find the people who do "hear it" and put your energy into building good relationships with them instead.

8. Looking for Industry Approval

There was a time when the "industry" had a lot more pull when it came to breaking an artist, getting them distributed, and everything else.  This is a new time, so we're playing with different rules now.

Distribution is easy.  Every day, more and more albums are being sold digitally, so you no longer need a label to finance pressing tens of thousands of physical albums (or more) and getting them to record stores.

These days, recording music is easier than ever. You can get a good
recording setup for just a few thousand dollars.  And if you can't afford recording equipment, there are plenty of people who have some, whom you can hire inexpensively. You are not limited on the number of options for getting something on tape.

But most importantly, once you get this stuff together, you don't need the industry to tell you your music is worthy.  The consumers, the people who buy your music, are really the only opinions that matter.  And when you have the love of the consumers, the industry will come around.

The thing is, in the music industry, technology has changed faster than mindset. Stop believing you are at the mercy of any record label executive. You're not. Connect directly with your fans--on your terms. The feedback, loyalty and money you receive from them will be far more gratifying than you spending your time beating your head against a wall trying to figure out a way to get an approving nod from a record label.

7. Not Building Strong Relationships with Fans

People aren't stupid. They know that they're being marketed to.  They know when you're looking to sell them something.

Do they mind?  No.

In fact, if you have a good relationship with your fans, they won't mind being marketed to and, if you do it well, they look forward to being marketed to.

However, they have to know you care.

Building relationships with fans take time.  You have to show them you care.

Do things like:

  • Give them a few free songs to download
  • Have message board on your website and build a community there
  • Do a "fan appreciation" show
  • Record a holiday album that you give out to your fan club.

Show them in special ways that you, not only care, but that you're willing to go the extra mile to show your appreciation. In turn, they will buy your music, travel to see you play, call radio stations on your behalf and promote you all over the Web.

Every day, no matter if you're busy recording, on the road or at home worrying about how you're going to find the money to make your project happen, do something (no matter how small the gesture is) to reach out to your fans.

6. Not "Getting" How the Fan/Artist Relationship Works

You’re the leader and your fans do the following.  You make the offer, they choose whether or not to accept.

Take charge, record the music, play the shows, print the t-shirts, and let them have the options of buying your album, coming to see you, or getting something to wear.

The average person has enough “leadership” in his day.  He’s looking for somebody to take control, and let him ride along for a little while.  Do it.

5. Laying Everything on the Table…

You're a rockstar.  Keep that fantasy.  Don't tell people how broke you are, that you're still living with your mother, or anything else that breaks the image of you fans have in their minds.

One of the reasons people like music is because they have the opportunity to live vicariously through the people they are listening to.  When you are on stage, they're up there with you.  When you're on the road in your tour bus, they're riding shotgun.  Don't take that away.

Give them insight into your life and what it's like in your world. However, be selective with the details. Always remember, you're selling music, but you're also selling a persona.

4. Thinking The Key to Success is Musical Talent, Money, or Looks

Yes, if we're talking about pop music, MTV, or the major label system, a certain amount of a contrived "image" probably helps sell records.

Obviously, money helps things.  And it's always good if you can sing.

But it's not "image" that gets somebody on MTV, it's marketing.  It's not good songs that get people on the radio, it's marketing.  And it's not money, although it helps.  It's marketing.

You can play well, have money, and look like a model, but if you don't have the marketing to back you up, none of it matters.

You know what? If you do have a good, solid marketing plan in place (and you're using it), everything else doesn't matter so much.

3. Giving Up Power

Keep control as long as you can.  Yes, a major label deal will give you opportunity that being on an indie label won't.  And a professional manager has connections that you don't.

But when you sign with these guys, you're handing over your career to somebody else. Nobody cares as much about your career than you do. When you and your talent are the most important commodity you have to offer, do not give up your power easily and without a damn good reason.

Your music is worth something. You are worth something. Think of your career as being "virtual real estate" which, if marketed correctly, will pay dividends for years to come.  So, treat it like that.

2. Jumping at Every Opportunity

You don't have to say yes to everything.  In fact, sometimes, saying no to something can be more beneficial to your career than saying yes.

Why do you say yes to things? Take a look at your standards and make them higher. As an example, just because a club has a PA system doesn't mean that it's worth playing there.

There are some gigs that just aren't worth playing.  There are some
connections that just aren't worth developing.

When you say yes to something, especially something that takes your time, you're saying no to everything else.  Leave yourself open to saying yes to the opportunities that really matter.

Trust your own judgment. If something doesn't feel right and you want to say no, it's ok to say no. At that moment, you may worry you're passing up a great opportunity and will be missing out. The reality is, better opportunities (that are a better fit for you) will come and you will be ready for them.

1. Not Getting Help

You don't know everything.  This business has been around for a long time--long before you were involved.

Read books, get advice from people who work in the industry and keep studying every aspect of the industry.

Don't be afraid to ask for help.  You can bypass a lot of the problems you're likely to run into simply by asking people who have already been in, and dealt with, the situations you find yourself in.

Remember this:

Time is worth more than money.  You can always earn more money, but you have a limited amount of time. 

Don't waste your time.  If you don't know something, or need specific help, don't be afraid to pay somebody to help you deal with whatever obstacle you face. Don't let anything stop you from having all the knowledge and know-how you need to have the success you aspire to have.

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